November 5, 2022
5 reasons why I think writing screenplays is a good choice
in regard to my writing journey.
1. Screenwriting involves a very succinct, minimal style. Which suits my own approach to writing.
I'm not embarrassed to admit that my prose has never been the best; I've always struggled to fill my pages with words - be it setting, exposition, etc. - time and again missing my intended mark. (Just one of the many reasons, I believe, that my work has fallen so short lucratively, resembling little more than a hobby, which was never my plan.)
Writing for film, on the other hand, highlights my strong points: dialogue, characters, and plot.
2. Without all the clutter of text to get in the way, I can write faster.
I've mentioned on more than one occasion how long it takes me to produce a few pages of material. Screenwriting is much more efficient, for the reasons mentioned above (and below). Also, since I last wrote a script, about 40 years ago, soft-ware programs have been developed (i.e., Final Draft) to help alleviate ubiquitous tedium and streamline the process.
To illustrate, as of the posting of this article I've completed the First Act of Rite and begun the second. Let me explain...
3. Screenplay structure follows some very specific guidelines.
I love the tight structural guidelines imposed upon a script. The most avant-garde architect knows that a building has to be constructed upon a strong, proven-to-work foundation. Otherwise, it risks collapsing.
A movie unfolds thusly: Intro (opening 10-12 pages or minutes - 1 script page/1 minute screen time); Act One = 1/4 of film; Act Two = 2/4's; Act Three = 1/4.
Each section is marked by an event, or plot point, that moves the story forward. The screenwriter is at liberty, of course, to fill the in-betweens with as many twists and plot points as they wish, as long it doesn't clutter the storytelling or confuse the audience. But those key marks are essential.
(Next time you watch a 2-hour movie, check a clock at 10, 30, and 90 minutes, and note what's happening on screen.)
Even the most independent, cutting-edge film will follow these guidelines to some degree; it's an effective formula. Once those structural boxes have been checked, the writer and, in collaboration, the filmmakers are free to experiment.
4. I can adapt my current novels.
Meaning, along with plenty of new stories I've been aching to tell, I've no shortage of ideas.
5. In turn, as suggested by a friend, I could write novelizations of my original scripts, coming full circle.
If it's good enough for Quentin Tarantino, it's good enough for me.
Next time, I'll evaluate some of the challenges I expect to face.
Gordon Gravley
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